The general ideology of the building was to employ maximum color, light and glass. The full-glazed facades erase the border between the interior and the outside world, while the dented lines and sharp corners ensure proper reflection and refraction of the sunlight, which produces a genuine shimmering pattern. On the plan the building is pictured with two wings joined together by a stylised crystal made of tinted glass, which adds to the plastic play of the glistening facades. Looked upon from above, the wings of the building resemble the shape of a crystal, while the entire composition looks like a bird facing the embankment of the River Svisloch.